Vancouver Archdiocese Liturgy Guidelines for Catholic Schools

Vancouver Archdiocese Liturgy Guidelines for Catholic Schools

Fall Institute, September 28, 2013 Saint Patricks Regional High School Sacred Music Singing The Mass Margaret Barry Fall Institute - Sacred Music and Singing the Mass Opening Prayer

v. O sing praises, sing praises unto our God. r. Sing praises, sing praises unto our King. Let us pray. O Lord God Almighty, Whose Glory, Seraphim, and Cherubim And all the hosts of heaven with ceaseless voice proclaim, Hear and accept, we humbly beseech Thee, The praises of Thy Church below And pour down upon those who serve Thee in choir, Such a spirit of faith, reverence, and joy As shall lift both their hymns and their lives unto Thee,

Through Jesus Christ our Lord. Amen. Fall Institute - Sacred Music and Singing the Mass The best catechesis on the liturgy is the liturgy itself celebrated well. Pope Benedict XVI Emeritus Fall Institute - Sacred Music and Singing the Mass

Shape of the Day Opening Prayer Introduction VI. Gregorian Chant and I. Some of the Documents Polyphony on Music VII. Some Resources for the II. The Ordinary and the Propers Propers VIII. Responsorial Psalms and

III. Mass Settings Gospel Acclamations IV. The Mass IX. Where to look in V. The Liturgical Year selection of music BREAK 11:15 Closing Prayer Fall Institute - Sacred Music and Singing the Mass

I Some of the Documents on Music SACRED SONG The Liturgy is enriched and made more solemn by music and sacred song. Intimately connected with the spirit of liturgical actions it accompanies, music is a strong aid to prayer and helps deepen the sense of community within the assembly. (ORDO 2012-2013* p. 14) Fall Institute - Sacred Music and Singing the Mass Music which is based on the spirit of each celebration, on the liturgical season, occasion

or feast, on the liturgical moment or on the readings will help to complete the work of the liturgy in the forming of the people of God. (ORDO 2012-2013 p. 14) Fall Institute - Sacred Music and Singing the Mass Providing the congregation with some opportunity to learn and sing traditional hymns and Gregorian Chant is encouraged. Beginning with the parts of the Mass may be helpful. (In English ICEL Chant)

Fall Institute - Sacred Music and Singing the Mass Music may be selected from sources beyond Glory and Praise or The Catholic Book of Worship used primarily in the Vancouver Archdiocese. Other resources should be approved by the local bishop. Fall Institute - Sacred Music and Singing the Mass The Christian faithful who come together as

one in expectation of the Lords doming are instructed by the Apostle Paul to sing together Psalms, hymns, and spiritual canticles. Singing is the sign of the hearts joy. Thus St. Augustine says rightly, Singing is for one who loves, and there is also an ancient proverb: Whoever sings well prays twice over. (GIRM, 39) Fall Institute - Sacred Music and Singing the Mass Great importance should therefore be

attached to the use of singing in the celebration of the Mass, with due consideration for the culture of the peoples and abilities of each liturgical assembly. Musicam sacram 1967 GIRM, 40 Fall Institute - Sacred Music and Singing the Mass Although it is not always necessary (e.g., in weekday Masses) to sing all the texts that are in principle meant to be sung, every care

should be taken that singing by the ministers and the people not be absent in celebrations that occur on Sundays and Holydays of Obligation. Musicam sacram, 1967 GIRM, 40 Fall Institute - Sacred Music and Singing the Mass However, in the choosing of the parts actually to be sung, preference is given to those that are of greater importance and especially to those

which are sung by the Priest or the Deacon or a reader, with the people replying, or by the Priest and people together. (Musicam sacram, GIRM, 40) Fall Institute - Sacred Music and Singing the Mass The main place should be given, all things being equal, to Gregorian Chant, as being proper to the Roman Liturgy. Other kinds of sacred music, in particular polyphony, are in

no way excluded provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful. (GIRM 41) Fall Institute - Sacred Music and Singing the Mass II. Two Musical Sections of the Mass The Ordinary of the Mass

The Propers of the Mass Fall Institute - Sacred Music and Singing the Mass Ordinary of the Mass Lord Have Mercy, Gloria, Holy, Holy Lamb of God the Mass Setting (the parts that do not change) Fall Institute - Sacred Music and Singing the Mass

Propers of the Mass *Entrance Chant Responsorial Psalm Gospel Acclamation *Offertory Chant *Communion Chant Fall Institute - Sacred Music and Singing the Mass III. Mass Settings OCP (Oregon Catholic Press) - Glory&Praise

- Journeysongs - Breaking Bread - Spirit and Song WLP (World Library Publications) - Seasonal Missalette GIA (Gregorian Institute of America) - Worship - Gather Fall Institute - Sacred Music and Singing the Mass ICEL Chant Mass Setting A Fr. Geoffrey Angeles (Canadian CCCCB)

Mass Setting B John Dawson Mass Setting C Michel Guimont Fall Institute - Sacred Music and Singing the Mass Archdiocesan Survey Heritage Mass Owen Alstott Mass of Christ Our Savior Dan Schutte Mass of Glory Ken Canedo/

Bob Hurd Mass of Renewal Curtis Stephan Mass of Saint Ann Ed Bolduc Fall Institute - Sacred Music and Singing the Mass Monday, October 21 Immaculate Conception Church, Delta 7-9:30 pm Two Years Later: Where are we now

with Roman Missal III? Fall Institute - Sacred Music and Singing the Mass The ICEL Chant Mass is the official Mass setting of the Archdiocese. A beautiful Mass Setting: Missa pro editione tertia by Christopher Mueller benesonariam.com Fall Institute - Sacred Music and Singing the Mass

IV. The Mass 1. The Introductory Rites The Entrance purpose is to open the celebration, foster the unity of those who have been gathered, introduce their thoughts to the mystery of the liturgical time or festivity, and accompany the process of the Priest and ministers. Fall Institute - Sacred Music and Singing the Mass

The Penitential Act The Kyrie Eleison The Gloria in Excelsis Fall Institute - Sacred Music and Singing the Mass 2. The Liturgy of the Word Silence The Responsorial Psalm

should be sung Fall Institute - Sacred Music and Singing the Mass The Acclamation before the Gospel Should be sung. Profession of Faith The Universal Prayer Fall Institute - Sacred Music and Singing the Mass

3. The Liturgy of the Eucharist The Preparation of the Gifts The procession bringing the gifts is accompanied by the Offertory Chant which continues at least until the gifts have been placed on the altar. Fall Institute - Sacred Music and Singing the Mass The Eucharistic Prayer

The Preface Dialogue The Holy, Holy The Memorial Acclamation The Great Amen Fall Institute - Sacred Music and Singing the Mass The Lords Prayer Lamb of God Communion Antiphon Hymn at Communion

Fall Institute - Sacred Music and Singing the Mass 4. Concluding Rites Ite, Missa est. Go, the Mass is ended. Recessional Hymn Fall Institute - Sacred Music and Singing the Mass Hymns are to enhance participation; they are not performance. Copyright rules must be obeyed.

Fall Institute - Sacred Music and Singing the Mass What music choices support liturgy as full, active, and fruitful? Catholic musicians should bring our congregations to know and love sacred music which is part of our Catholic culture and heritage Careful selection, and rehearsal, of Music to support participation

Fall Institute - Sacred Music and Singing the Mass V. The Liturgical Year Advent-Christmas Ordinary Time Ordinary Time (Winter) Lent-Easter (Summer, Fall) Ordinary Time (Spring)

Fall Institute - Sacred Music and Singing the Mass Advent Alma Redemptoris O Antiphons Ye Heavens, Open from Above Creator of the Stars of Night The King Shall Come When Morning Dawns Fall Institute - Sacred Music and Singing the Mass

Christmas O Magnum Mysterium (Vittoria) Of the Fathers Love Begotten See Amid the Winters Snow Transeamus Fall Institute - Sacred Music and Singing the Mass Lent Litany for Lent Crux Fidelis (King John of Portugal) In Monte Oliveti (Palestrina)

O Jesu Christe (John Bercham) Tenebrae for Holy Saturday (Healey Willan) Fall Institute - Sacred Music and Singing the Mass During Lent Musical instruments are used only to give necessary support to singing, not for solo playing. (GIRM, 313) Fall Institute - Sacred Music and Singing the Mass Triduum

Holy Thursday Entrance Antiphon Where Charity and Love Prevail Good Friday Reproaches Faithful Tree O Sacred Head Surrounded Fall Institute - Sacred Music and Singing the Mass Easter Easter Vigil Exultet

Psalms I saw Water Litany of Saints Eastertide Alleluia (Cesar Franck) Haec Dies He is Risen Fall Institute - Sacred Music and Singing the Mass Eastertide Alleluia (Cesar Franck)

Haec Dies He is Risen (Hymn) He Is Risen (Entrance Antiphon) Willan O Sacred Feast (Healey Willan) This Joyful Eastertide Fall Institute - Sacred Music and Singing the Mass Pentecost Whitsunday (Entrance Antiphon Willan) O King Enthroned on High Sequence - Come, O Spirit from on High

Veni sancte spiritus Veni creator spiritus Breathe on me, Breath of God Come Down, O Love Divine Fall Institute - Sacred Music and Singing the Mass Holy Trinity Cantate Domino (Pitoni) O Praise the Lord (Batten) Corpus Christi Ave Verum (Byrd, Elgar, Willan)

Lauda Sion (Sequence) O Sacred Feast (Healey Willan) Panis Angelicus (Cesar Franck) Fall Institute - Sacred Music and Singing the Mass Ordinary Time Hymns At the Name of Jesus Christ is Made the Sure Foundation O God, Beyond All Praising O Praise Ye, the Lord

Spirit, Seeking Truth and Beauty Fall Institute - Sacred Music and Singing the Mass VI Gregorian Chant and Polyphony Chantcafe.com Fall Institute - Sacred Music and Singing the Mass Selling Your Pastor on Gregorian Chant

1. Father, would you like the children in your parish to learn to pray? 2. Father, would you like the people in your parish to become more aware of the Liturgical Year? 3. Father, would you like the teenagers in your parish to be prepared to sing at international gatherings such as World Youth Day? 4. Father, would you like to improve the quality of music in your parish? 5. Father, would you like to increase the sense of Catholic identity among the faithful?

Fall Institute - Sacred Music and Singing the Mass (continued) Selling Your Pastor on Gregorian Chant 6. Father, would you like to give the people in your parish the tools that they need to become better disciples? 7. Father, would you like to save money on hymnals and worship aids? 8. Father, would you like to take the guesswork out of choosing appropriate music for your parish? 9. Father, would you like your Sunday Masses to be more meaningful and awe-inspiring? 10.Father, would you like to attract young, professional-level

singers , eager to volunteer to sing at your parish, simply because the music program is so wonderful? Fall Institute - Sacred Music and Singing the Mass Adoramus te Christe (Dubois) The Beatitudes If Ye Love Me (Thomas Tallis) Locus Iste (Anton Bruckner) Non Nobis Domine O Bone Jesu

O Pray for the Peace of Jerusalem Sicut Cervus (Palestrina) Tallis Canon Fall Institute - Sacred Music and Singing the Mass Marian Motets Ave Maria (Arcadelt, Gabrielli, Vittoria) Ave Vera Virginitas Magnificat (Healey Willan) O Sanctissima

Fall Institute - Sacred Music and Singing the Mass Concertatas Lift High the Cross Now Thank We All Our God Let All Mortal Flesh Keep Silence Of the Fathers Heart Begotten See Amid the Winters Snow Immaculate Mary (MB) Fall Institute - Sacred Music and Singing the Mass

Gregorian Chant That Every Catholic Should Know Ave Maria Regina Coeli Salve Mater Alma Redemptoris Mater Salve Regina Pater Noster Missa de Angelis Kyrie *

Gloria Sanctus Agnus Dei * At the Cross, Her Station Keeping Fall Institute - Sacred Music and Singing the Mass Puer Natus O Salutaris Hostia Tantum Ergo Veni Creator Sequences Victimae paschali laudes

Veni sancte spiritus Lauda Sion At the Cross her station keeping Fall Institute - Sacred Music and Singing the Mass VII Some Resources for the Propers Simple English Propers by Adam Bartlett By Flowing Waters by Paul Ford Hymn Texts by Kathleen Pluth or, write your own hymn text

Fall Institute - Sacred Music and Singing the Mass Hymn texts for the Entrance Antiphon 25th Sunday in Ordinary Time Introit: Tune: I Know That my Redeemer Lives I am my peoples saving power I hear their cries in their distress Forever I will be their Lord. Eternal is my faithfulness

#388 Entrance Hymn: #388 I Know That My Redeemer Lives Fall Institute - Sacred Music and Singing the Mass Year B 22nd Sunday in Ordinary Time Entrance Hymn: #581 Journeysong

Introit verse Have mercy, Lord, for I have called out to you, all night and day; For you are good, forgiving, plenteous in love for me alway. Fall Institute - Sacred Music and Singing the Mass Year B 30th Sunday in Ordinary Time

Before Mass: Tune: The Churchs One Foundation Have mercy, Son of David! Have mercy, Son of David! By mercy set us free. Give us your eyes to see Have mercy, Son of David! That we may see the kingdom O Lord, that we may see. In its simplicity. For we, like Bartimaeus, May we behold the glory,

Cry out with heart and soul. The majesty and grace We ask for faith to follow, Of your mysterious beauty For faith to make us whole. Alive in every face. Harry Hagen, OSB 2006 St. Meinrad Archabbey, St. Meinrad, IN Fall Institute - Sacred Music and Singing the Mass VIII Responsorial Psalms

and Gospel Acclamations Psalms were meant to be sung. (Think Happy Birthday) Gregorian Tones II, IV, VI, VIII Alleluia! - CBW II #354, 356 Fall Institute - Sacred Music and Singing the Mass IX Where to look in Selection of Music Magnificat Glory&Praise Index National Pastoral Musicians Website

Corpus Christi Watershed Website Cantica Nova Website Fall Institute - Sacred Music and Singing the Mass Solemnity of All Saints Entrance Hymn: #402 For All the Saints Introit: SEP Mass: ICEL Chant Responsorial Psalm: Ps. 24 Tone VII

LORD, THIS IS THE PEOPLE THAT LONGS TO SEE YOUR FACE. M 1. The Lords is the earth and its fullness,/ the world and all its peoples. It is He Who set it on the seas;/ on the waters He made it firm . Ant. L 2. Who shall climb the mountain of the Lord? Who shall stand in His holy place? The man with clean hands and pure heart,/ who desires not worthless things. Ant. All 3. He shall receive blessings from the Lord/ and reward from the God Who saves

him. Such are the men who seek Him,/ seek the face of the God of Jacob. Ant. Fall Institute - Sacred Music and Singing the Mass Gospel Acclamation: Offertory Antiphon: Offertory Hymn: Acclamation of Faith:

Tone VIII . SEP #446 Ye Watchers and Ye Holy Ones We proclaim your death, O Lord.. Communion Antiphon: SEP Communion Hymn: O What the Joy Communion Motet: O KING ALL GLORIOUS Recessional Hymn: #402 For All the Saints

vs. 1 and whatever we left off with (Theres eight verses!) Fall Institute - Sacred Music and Singing the Mass CLOSING PRAYER v. r. Blessed are they that dwell in Thy house. They will be always praising Thee. Let us pray.

O God, Whom all the joyful companies of heaven laud and adore; Grant that what we sing with our lips, we may believe in our hearts, And what we believe in our hearts, we may show forth in our lives, To the increase of Thy kingdom on earth, Through Jesus Christ our Lord. Amen. v. May the Divine Assistance remain always with us. r. And with our absent brethren. Amen. Fall Institute - Sacred Music and Singing the Mass

The best catechesis on the liturgy is the liturgy itself celebrated well. Pope Benedict XVI Emeritus

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