British Empire-Building Atlantic Slave Trade (1650 - 1900):

British Empire-Building Atlantic Slave Trade (1650 - 1900):

British Empire-Building Atlantic Slave Trade (1650 - 1900): up to 28 million central & west Africans captured & driven to coasts to be sold as slaves 1450 and 1850: at least 12 million Africans were shipped from Africa to New World--notorious "Middle Passage (20% mortality rate) Mid-18th C. BritishFrench wars for control of India (Robt. Clive & British East India Co.) British Empire-Building 1789: The Interesting

Narrative of the Life of Olaudah Equiano, or Gustava Vassa = slave narrative fuels antislavery movement 1792: Slave uprising in Haiti led by Toussant L'Ouverture 55,000 blacks,wage guerrilla & frontal war against British for years. 1795 - 1818: British seize control of Cape Colony, South Africa, from Dutch, declare control & increase Brit. immigration; Dutch Boers move inland & seize land Abolition & Colonization

1833: British abolish slavery in West Indies. 1839-1842: Amistad revolt (basis of 1997 Spielberg film) launches intense legal, political, popular debate over slavery in U.S. 1857-1858: Sepoy Mutiny British Crown takes over India 1863: Emancipation of slaves in U.S. amid Civil War. 1876-77: Queen Victoria declared Empress of India Exploration & Colonization

C18 & C19: European political, economic, scientific interests fuel search for new markets & exploration Stage set for European Scramble for Africa 1870s 1770: James Bruce (Brit.) reaches source of Blue Nile 1795 & 1805: Mungo Park (Scot.) explores Niger River 1855: David Livingstone (Scot.) explores Zambezi River & names Victoria Falls

Exploration, Imperialism & Racism 1863: British explorers Speke & James Augustus Grant, traveling downstream, & Sir Samuel White Baker, working upstream, locate sources of Nile Christian missionaries & European merchants come with European explorers View of Africans: "primitive, pre-literate, undeveloped a/c Eurocentric theories of evolution of civilized culture.

Mountains of the Moon (1989/90 - R) 1850s East Africa: Capt. Richard F. Burton (Patrick Bergin) & Lt. John Hanning Speke (Iain Glen), funded by British Royal Geographical Society, set out to discover the source of the Nile: balanced, uncolonial look at the variety, dignity & ferocity of African society(-Rita Kempley, Washington Post, 23 Mar. 1990) Dir. Bob Rafelson, based on Wm Harrisons biography Burton & Speke, Burtons & Spekes journals Marlows & Conrads 1889-90 journey into

Heart of Darkness Joseph Conrad (1857-1914) Early Modernism & Heart of Darkness Social breakdown, fragmentation: lose faith in progress, science, religion, politics, bourgeois morality Alienation from urban bureaucratic society, a sterile, materialistic waste land Question, challenge

structures of human life--e.g. Christianitychallenged as convenient fictions created to impose order, meaning on random, senseless, violent world Personal & Collective Crisis Mid-1870s Scramble for Africa 1876-1884: King Leopold II (r. Belgium, 1865-1909) uses Stanley to explore, acquire, colonize Congo Free State as his personal possession 1885 Berlin Conference European powers divide up Africa

1889-90: Conrad goes to Congo & captains river steamboat to retrieve Klein; trauma & illness haunt him the rest of his life Heart of Darkness = Harrowing Critique of Western Colonialism 1899, 1902: Heart of Darkness exposes predatory European Colonialism & its atrocities Brussels = whited sepulchre; hypocrisy of hollow ideals: civilizing mission &

White Mans Burden Public opinion turns against jingoism (e.g Rudyard Kipling) 1908: Leopold II loses Congo to Belgian government 1960: Belgian Congo achieves independence Mythic Journey Unsettling global correspondences in world myths & rituals: e.g. Frazers Golden Bough: A Study in Comparative Religion (1890) & Westons From Ritual

to Romance (Fisher king) Carl Jung (18751961): all humans share common spiritual/ psychic heritage: collective unconscious, racial memories, archetypes emerge in dreams, myth/religion, art & literature Psychological Novel Freud (1856-1939): feeling, unconscious, inward journey into self, back into past/ childhood keys to understanding

human nature/behavior Psychoanalytical method: healing through storytelling Focus: mental life, perceptions of story teller and his search for meaning (vs. tale itself) inward journey into dream/nightmare world of irrational uncontrollable unconscious Experimental Forms for Multiple Realities of Uncertainty flow of consciousness

& memory structures narrative: associative (vs. linear) logic intertwines present awareness & memory Interior monologue, stream of consciousness, flashforward/ flash-back Narrative frame-cf. WH Marlows 1st-person limited narration: discontinuous/fragm ented,suggestive/ev ocativea-rational connections, introspective Challenges for Readers Narrator/author

suggests/evokes, does not explain; personal symbol system new, previously forbidden subjects unsettle readers expectations; shock out of complacency Open-ended, ironic, multi-layered, inconclusive Process/search/ journey meaningful in itself (even if goal never reached) Reader must be active co-creator of meaning: emplot life

The Contract Audience must agree to play the imaginative game (suspend disbelief) Atwood: ...your life as the writer of each particular story is only as long, and as good, as the story itself. The speaking voice mediates readerlisteners access to the story, but it is double-voiced dialogue (Bakhtin) between teller & listener each with active roles in making meaning.

Genre Theory (> Aristotle) Genre (>French): a type of literary work with defining conventions & audience expectations Genres develop in response to particular cultural, communication, & creative situations Literary genres evolve like social institutions: their conventions/codes emerge, develop, & change over time, reflecting the (changing) values, imagination, spirit of

an age, culture, artist Genre History: Dialogues with Tradition Once you start making...rules, some writer will be sure to happen along and break every abstract rule you or anyone else ever thought up, and take your breath away in the process. The word should is dangerous. Its a kind of challenge to the deviousness and inventive-ness and audacity and perversity of the creative spirit --Margaret Atwood High Modernism Early 20th century Post -WW I Decline of West: Catastrophe of WWI shook faith in Western civilization & its cultural values

Radical break from traditional structures of Western culture & art Artists sought new forms to render contemporary disorder & alienation

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